
Marcia Griffiths - Sweet & Nice
Marcia Griffith's Classic Debut Finally Reissued (And Expanded) On Vinyl.
FACT Mag listed as #16 in their list of the 100 best albums of the 1970s.
Sweet And Nice is the vital debut album from Jamaicaâs undisputed first lady of song Marcia Griffiths.
It's reggae at its most soulful.
Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller.
45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles.
But the originalâs opening sequence of loping soul is legendary, even beyond reggae circles.
These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title.
Be With doesnât mess with magic.
Marcia's version of âHere I Am (Come and Take Me)â has long been lusted after, played by genre-hopping selectors to snapping necks for decades now.
Itâs followed by the sophisticated, rollicking wah-wah funk of âEverything I Ownâ and the slice of smooth lovers soul par excellence that is âGreen Grasshopperâ and her ace, lilting Neil Diamond cover "Play Me".
The thundering, humid funk of âChildren At Playâ âsounds uncannily like a precursor of Massive Attackâ, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s.
Otherworldly, moody and essential.
Side two keeps the fire burning.
âSweet, Bitter Loveâ should leave you swooning, and is also one of the albumâs alternate titles.
Curtis Mayfieldâs already-eternal âGypsy Manâ is up next, recast as proto-lovers rock.
âThereâs No Me Without Youâ is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marciaâs heartbreaking delivery.
And if this doesnât get you then surely the next track will: arguably the definitive version of Ewan MacCollâs âThe First Time Ever I Saw Your Faceâ.
Yes, seriously.
âI Just Donât Want To Be Lonelyâ re-takes its rightful place at the end of the LPâs second side⊠but we couldnât leave it at that.
So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released.
Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesnât always correspond with quality, but in this case weâre talking about some seriously jaw-dropping music.
Amongst 14 extra tracks youâll find the exquisite late-60s singles âMelody Lifeâ and âMark My Wordâ which, along with the sumptuous reading of âBand Of Goldâ, are now ÂŁ100 records, if you can find them! Just sayinâ.
Thereâs also a fantastic version of âThe First Cut Is the Deepestâ and an alternate take of âPlay Meâ with producer Lloyd Charmers adding his own vocals.
Everythingâs been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
Original: $44.05
-70%$44.05
$13.21Product Information
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Description
Marcia Griffith's Classic Debut Finally Reissued (And Expanded) On Vinyl.
FACT Mag listed as #16 in their list of the 100 best albums of the 1970s.
Sweet And Nice is the vital debut album from Jamaicaâs undisputed first lady of song Marcia Griffiths.
It's reggae at its most soulful.
Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller.
45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles.
But the originalâs opening sequence of loping soul is legendary, even beyond reggae circles.
These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title.
Be With doesnât mess with magic.
Marcia's version of âHere I Am (Come and Take Me)â has long been lusted after, played by genre-hopping selectors to snapping necks for decades now.
Itâs followed by the sophisticated, rollicking wah-wah funk of âEverything I Ownâ and the slice of smooth lovers soul par excellence that is âGreen Grasshopperâ and her ace, lilting Neil Diamond cover "Play Me".
The thundering, humid funk of âChildren At Playâ âsounds uncannily like a precursor of Massive Attackâ, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s.
Otherworldly, moody and essential.
Side two keeps the fire burning.
âSweet, Bitter Loveâ should leave you swooning, and is also one of the albumâs alternate titles.
Curtis Mayfieldâs already-eternal âGypsy Manâ is up next, recast as proto-lovers rock.
âThereâs No Me Without Youâ is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marciaâs heartbreaking delivery.
And if this doesnât get you then surely the next track will: arguably the definitive version of Ewan MacCollâs âThe First Time Ever I Saw Your Faceâ.
Yes, seriously.
âI Just Donât Want To Be Lonelyâ re-takes its rightful place at the end of the LPâs second side⊠but we couldnât leave it at that.
So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released.
Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesnât always correspond with quality, but in this case weâre talking about some seriously jaw-dropping music.
Amongst 14 extra tracks youâll find the exquisite late-60s singles âMelody Lifeâ and âMark My Wordâ which, along with the sumptuous reading of âBand Of Goldâ, are now ÂŁ100 records, if you can find them! Just sayinâ.
Thereâs also a fantastic version of âThe First Cut Is the Deepestâ and an alternate take of âPlay Meâ with producer Lloyd Charmers adding his own vocals.
Everythingâs been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.























