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Parrots - Dos
TRACKLISTING: 1 You Work All Day And Then You Die 2 Just Hold On 3 Maldito 4 Lo DejarĂa Todo 5 Donât Cry 6 Its Too Late To Go To Bed 7 Nadie Dijo Que Fuera FĂĄcil 8 Fuego 9 Amigos 10 How Not To Be Seen 11 Romance Rolling in on an unbreakable motorik groove, The Parrots second album - Dos - starts very much on the front foot. You Work All Day And Then You Die is a bold statement of intent, a signpost at the side of the road that tells you straight about the futility of our modern lives spent chained to the work station. As the chant-along chorus goes, âItâs hard to find some peace of mindâ - a line that feels like a reaction to the last year and half on planet Earth. From You Work All Day And Then You Dieâs relentless pulse to closer Romanceâs end of the night celebration of friendship and survival, Dos is an all consuming, life-affirming joyous noise. Where The Parrots debut - Los Niños Sin Miedo - howled and rattled like the garage bands that had inspired them in their formative years in Madrid, Dos was conceived by Diego Garcia (guitar, vocals) and Alex de Lucas (bass) as a chance to showcase their wider ambitions. That desire to expand the bandâs sound led them to working with producer Tom Furse from The Horrors. Diego Garcia: âWe really wanted to work with Tom. Weâve been very influenced by his work and we really felt that his production and knowledge - especially with synths and ambience - was what we needed to take our songs to another level. We had a strong vision on how we wanted to evolve as a band and Tom really helped us focus on how to get there.â While Los Niños Sin Miedo was recorded in a week in a studio in CĂĄdiz on the southwestern coast of Spain, Dos came together in a very different environment with the band and Tom Furse holing up in a studio in the heart of London before the world stopped turning in the spring of 2020. Alex de Lucas: âMost of the album was recorded in Wilton Way Studios in Hackney in periods between summer 2019 and the start of 2020. Because of lockdown, it ended up getting finished in Madrid with Harto Rodriguez. Recording at home was really nice because it meant we could call on some of our very talented friends to join us in the studio. Most of the record was written before the lockdown but that unexpected pause in all of our lives made us rethink some of it and finish bits off in a different way. Also, when we knew we couldnât go back to London to finish it, we decided to invite a lot of our friends back home to the studio. That made recording feel almost like a celebration. Everyone we knew was fine; even with the global pause we could still find the bright spots and stay together.â Fans of The Parrots previous records and their life-enhancing live shows neednât worry that things have changed too much. Dos is still very much a garage rock record, only one now painted in brighter, bolder, more psychedelic colours. Just Hold On is a summery late â60s West Coast stomp while Nadie Dijo Que Fuera FĂĄcil (translation - Nobody Said It Would Be Easy) and Amigos recall modern psychedelic voyagers such as Spacemen 3 and Super Furry Animals - bands who effortlessly combined drones with celestial melody. Elsewhere, Itâs Too Late To Go To Bed sounds like something released on Ze Records in the early â80s. Diego: âEven though garage rock is kind of the core of all our influences, in the last few years weâve been listening to lots of stuff that weâd kind of relegated to a second position. We rediscovered a lot of artists that we listened back when we first fell in love with music - bands like LCD Soundsystem and Gang of Four, lots of mutant disco. Tom really helped us there, he made sense out of the chaotic mashup of influences that we brought into the studio.â Alex: âAlso, because weâve always loved hip hop, we followed a different approach to putting songs together, using samples and sampling ourselves a lot. Beastie Boys, ESG, Devo, Los Zombies (the Spanish band) were all a very big influence on the tone of the record. Also the Spanish music scene has been changing a lot in the last years and listening to a lot of new Spanish artists has helped us break down some walls and made us create music in a more free way.â Several of those Spanish artists were among the friends who made their way to the studio in Madrid when things opened up again last year. Rapper C. Tangana and Los Nastys each add their own distinctive styles to Maldito and Romance respectively. Diego: âC. Tangana is from Madrid, like us. Weâd known each other for a while but it was a great surprise when he saw that we were recording and told us that he wanted to join in. He is one of the biggest artists in Spain at the moment and comes from a way different scene. It wasnât normal for an artist like him to collaborate with a garage band but we think this opened a path and broke down some prejudices. Los Nastys are our biggest friends. We each started at a point where garage music was regarded as a revival thing, but we always knew that we were sons of the 21st century. Back then, we knew people needed new bands so we decided to do it ourselves. I guess people agreed âcos everyday more people would come to our shows and party with us. That time created an unbreakable bond between us which is reflected in Romance.â Dos is not only The Parrots second album, itâs also their first as a duo since drummer Larry Balboa left the band prior to recording. Larryâs departure forced a rethink of both the bandâs live and studio sound. Alex: âWhen Larry left it was a turning point for us as a band. Weâd been touring for years, which had been amazing but exhausting. All of a sudden, the demos weâd recorded made no sense. We decided to forget about those ideas and start from scratch. Thatâs when this album started, with a sense that everything needed to be new. We wanted to challenge ourselves to give the best version of ourselves.â With things opening up all around the world, that best version of The Parrots will take Dos on the road as a five piece for the first time. Diego: âLive shows are one of the things we love the most in life - both attending as fans and playing. We always push ourselves to make them better and make a crazier experience where people who come can become a wilder version of themselves free of any shyness and prejudice. Weâre really working hard to deliver the best show possible and weâre lucky, because we have lots of friends are joining us onstage, and that allows us to focus more on giving the best performance while also stepping up to create the sound that we aimed for with this album. We truly canât wait for things to go back to normal so that us and the fans can enjoy shows 100% as they were before. We want and need sweat and rolling around on the floor.â When you spend some time with Dos - the riotous and addictive second Parrots album - youâll realise itâd be wise not to wear your best clothes the next time they roll in to town as youâll invariably be going home drenched, ecstatic and covered in footprints. Bring it on.
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TRACKLISTING: 1 You Work All Day And Then You Die 2 Just Hold On 3 Maldito 4 Lo DejarĂa Todo 5 Donât Cry 6 Its Too Late To Go To Bed 7 Nadie Dijo Que Fuera FĂĄcil 8 Fuego 9 Amigos 10 How Not To Be Seen 11 Romance Rolling in on an unbreakable motorik groove, The Parrots second album - Dos - starts very much on the front foot. You Work All Day And Then You Die is a bold statement of intent, a signpost at the side of the road that tells you straight about the futility of our modern lives spent chained to the work station. As the chant-along chorus goes, âItâs hard to find some peace of mindâ - a line that feels like a reaction to the last year and half on planet Earth. From You Work All Day And Then You Dieâs relentless pulse to closer Romanceâs end of the night celebration of friendship and survival, Dos is an all consuming, life-affirming joyous noise. Where The Parrots debut - Los Niños Sin Miedo - howled and rattled like the garage bands that had inspired them in their formative years in Madrid, Dos was conceived by Diego Garcia (guitar, vocals) and Alex de Lucas (bass) as a chance to showcase their wider ambitions. That desire to expand the bandâs sound led them to working with producer Tom Furse from The Horrors. Diego Garcia: âWe really wanted to work with Tom. Weâve been very influenced by his work and we really felt that his production and knowledge - especially with synths and ambience - was what we needed to take our songs to another level. We had a strong vision on how we wanted to evolve as a band and Tom really helped us focus on how to get there.â While Los Niños Sin Miedo was recorded in a week in a studio in CĂĄdiz on the southwestern coast of Spain, Dos came together in a very different environment with the band and Tom Furse holing up in a studio in the heart of London before the world stopped turning in the spring of 2020. Alex de Lucas: âMost of the album was recorded in Wilton Way Studios in Hackney in periods between summer 2019 and the start of 2020. Because of lockdown, it ended up getting finished in Madrid with Harto Rodriguez. Recording at home was really nice because it meant we could call on some of our very talented friends to join us in the studio. Most of the record was written before the lockdown but that unexpected pause in all of our lives made us rethink some of it and finish bits off in a different way. Also, when we knew we couldnât go back to London to finish it, we decided to invite a lot of our friends back home to the studio. That made recording feel almost like a celebration. Everyone we knew was fine; even with the global pause we could still find the bright spots and stay together.â Fans of The Parrots previous records and their life-enhancing live shows neednât worry that things have changed too much. Dos is still very much a garage rock record, only one now painted in brighter, bolder, more psychedelic colours. Just Hold On is a summery late â60s West Coast stomp while Nadie Dijo Que Fuera FĂĄcil (translation - Nobody Said It Would Be Easy) and Amigos recall modern psychedelic voyagers such as Spacemen 3 and Super Furry Animals - bands who effortlessly combined drones with celestial melody. Elsewhere, Itâs Too Late To Go To Bed sounds like something released on Ze Records in the early â80s. Diego: âEven though garage rock is kind of the core of all our influences, in the last few years weâve been listening to lots of stuff that weâd kind of relegated to a second position. We rediscovered a lot of artists that we listened back when we first fell in love with music - bands like LCD Soundsystem and Gang of Four, lots of mutant disco. Tom really helped us there, he made sense out of the chaotic mashup of influences that we brought into the studio.â Alex: âAlso, because weâve always loved hip hop, we followed a different approach to putting songs together, using samples and sampling ourselves a lot. Beastie Boys, ESG, Devo, Los Zombies (the Spanish band) were all a very big influence on the tone of the record. Also the Spanish music scene has been changing a lot in the last years and listening to a lot of new Spanish artists has helped us break down some walls and made us create music in a more free way.â Several of those Spanish artists were among the friends who made their way to the studio in Madrid when things opened up again last year. Rapper C. Tangana and Los Nastys each add their own distinctive styles to Maldito and Romance respectively. Diego: âC. Tangana is from Madrid, like us. Weâd known each other for a while but it was a great surprise when he saw that we were recording and told us that he wanted to join in. He is one of the biggest artists in Spain at the moment and comes from a way different scene. It wasnât normal for an artist like him to collaborate with a garage band but we think this opened a path and broke down some prejudices. Los Nastys are our biggest friends. We each started at a point where garage music was regarded as a revival thing, but we always knew that we were sons of the 21st century. Back then, we knew people needed new bands so we decided to do it ourselves. I guess people agreed âcos everyday more people would come to our shows and party with us. That time created an unbreakable bond between us which is reflected in Romance.â Dos is not only The Parrots second album, itâs also their first as a duo since drummer Larry Balboa left the band prior to recording. Larryâs departure forced a rethink of both the bandâs live and studio sound. Alex: âWhen Larry left it was a turning point for us as a band. Weâd been touring for years, which had been amazing but exhausting. All of a sudden, the demos weâd recorded made no sense. We decided to forget about those ideas and start from scratch. Thatâs when this album started, with a sense that everything needed to be new. We wanted to challenge ourselves to give the best version of ourselves.â With things opening up all around the world, that best version of The Parrots will take Dos on the road as a five piece for the first time. Diego: âLive shows are one of the things we love the most in life - both attending as fans and playing. We always push ourselves to make them better and make a crazier experience where people who come can become a wilder version of themselves free of any shyness and prejudice. Weâre really working hard to deliver the best show possible and weâre lucky, because we have lots of friends are joining us onstage, and that allows us to focus more on giving the best performance while also stepping up to create the sound that we aimed for with this album. We truly canât wait for things to go back to normal so that us and the fans can enjoy shows 100% as they were before. We want and need sweat and rolling around on the floor.â When you spend some time with Dos - the riotous and addictive second Parrots album - youâll realise itâd be wise not to wear your best clothes the next time they roll in to town as youâll invariably be going home drenched, ecstatic and covered in footprints. Bring it on.













