
Varous Artists - The Observer Roots Album Collection
âą Â Â Includes numerous roots classics.
âą Â Â âShowcaseâ LP new to CD.
âą Â Â Features a host of reggae superstars.
By the latter half of the 1970s, Winston âNineyâ Holness was widely acknowledged by reggae aficionados as being one of Jamaicaâs most celebrated record producers. A pioneer of the roots sound, his output over the preceding years had included scores of best-selling 7â singles, performed by many of the islandâs greatest performers, among whose number were the supremely gifted Leonard Dillon and Freddie McGregor.
The recording careers of both of these esteemed artists dated back to the 60s, with Dillon writing and recording numerous major hits with his group, The Ethiopians, most famously his UK chartbuster, âTrain To Skavilleâ. The long run of hits abruptly ended in 1975 following the tragic death of Dillonâs friend and singing partner Stephen Taylor, but after two years away from the recording studio he was finally ready to record once more, with his return marked by the widely acclaimed Ethiopiansâ LP âSlave Callâ, which featured a brand-new line-up of the group.
In contrast, McGregorâs success until this time had been relatively modest, although the quality of his work, cut for a variety of producers had remained consistently high. In 1979 he recorded a number of superior sides for Niney, culminating in his best-selling âMr.
McGregorâ album, featuring such roots classics as âRasta Man Campâ, âJah Can Count On Iâ and âRasta Have Faithâ. Two years later, the singer and producer collaborated once again to record another hugely popular âShowcaseâ (issued in the UK as âLoverâs Rock Jamaica Styleâ) LP, the popularity of which firmly cemented McGregorâs now lofty standing on the reggae scene.
This collection, which comprises the aforementioned albums along with the cream of Nineyâs output from 1978 demonstrates his undisputed skill as a producer as well as with the often-sublime talents of a number of reggae musicâs most accomplished performers, at the very height of their music-making powers.
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Description
âą Â Â Includes numerous roots classics.
âą Â Â âShowcaseâ LP new to CD.
âą Â Â Features a host of reggae superstars.
By the latter half of the 1970s, Winston âNineyâ Holness was widely acknowledged by reggae aficionados as being one of Jamaicaâs most celebrated record producers. A pioneer of the roots sound, his output over the preceding years had included scores of best-selling 7â singles, performed by many of the islandâs greatest performers, among whose number were the supremely gifted Leonard Dillon and Freddie McGregor.
The recording careers of both of these esteemed artists dated back to the 60s, with Dillon writing and recording numerous major hits with his group, The Ethiopians, most famously his UK chartbuster, âTrain To Skavilleâ. The long run of hits abruptly ended in 1975 following the tragic death of Dillonâs friend and singing partner Stephen Taylor, but after two years away from the recording studio he was finally ready to record once more, with his return marked by the widely acclaimed Ethiopiansâ LP âSlave Callâ, which featured a brand-new line-up of the group.
In contrast, McGregorâs success until this time had been relatively modest, although the quality of his work, cut for a variety of producers had remained consistently high. In 1979 he recorded a number of superior sides for Niney, culminating in his best-selling âMr.
McGregorâ album, featuring such roots classics as âRasta Man Campâ, âJah Can Count On Iâ and âRasta Have Faithâ. Two years later, the singer and producer collaborated once again to record another hugely popular âShowcaseâ (issued in the UK as âLoverâs Rock Jamaica Styleâ) LP, the popularity of which firmly cemented McGregorâs now lofty standing on the reggae scene.
This collection, which comprises the aforementioned albums along with the cream of Nineyâs output from 1978 demonstrates his undisputed skill as a producer as well as with the often-sublime talents of a number of reggae musicâs most accomplished performers, at the very height of their music-making powers.












